Welcome to the ABA! Bell Talk Forums Bells in Museums & Public Places Renaissance Table Bell – The Frick Collection

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    • #12471
      halanb
      Participant


      Renaissance Figural Bell
      Gian Girolomo Grandi (1508 – 1560)
      Hand Bell, 1507-16
      Bronze
      6 5/8 in. (16.8 cm)

      Seated infant who holds in his left hand the stem of a grapevine which curls down over his leg.

      Pairs of putti flanking unidentified coats of arms in cartouches,
      leaves, masks, bunches of fruit, scrolls, and ribbons.

      The Grandi family workshop supplied their connoisseur patrons with decorative bronze objects, such as buckets, bells, and doorknockers. The bells were especially in demand, and a number of them are related in design to the Frick example, which is considered the most refined and imaginative of this group.

      The body of the hand bell is decorated with lively motifs, including pairs of putti flanking unidentified coats of arms in cartouches, leaves, masks, bunches of fruit, scrolls, and ribbons, all disposed in a crisp, lacy pattern over the surface. The handle of the bell is in the form of a seated infant who holds in his left hand the stem of a grapevine which curls down over his leg. At his feet are two small bunches of grapes, and he may once have held aloft another in his now-empty right hand. Seen from the front, this putto appears to be a hedonistic bacchanalian figure, reminiscent of many a tipsy Dionysus seated on a wine keg. But if one turns the bell around, the image is transformed into a memento mori, for the putto is seated not on a keg but on a human skull. The iconographic motif of a child with a skull was familiar and popular in the Renaissance. It was intended to remind the viewer that the span of life from infancy to death is nothing compared to eternity.

      Such a subject would be particularly appropriate to a bell because hand bells were associated with the office of the priest and were rung during the Mass at the Sanctus to announce the advent of Christ in the Eucharist. The grapes on the bell refer then to the Eucharistic wine and the blood of Christ, who offers salvation and eternity following the death represented by the skull. The unknown prelate for whom Grandi made this intricately designed hand bell must have been a cultivated man of subtle tastes.

      Click on the link below to see a picture and description:
      http://collections.frick.org/view/objects/asitem/items$0040:96

      Click on the “Audio” link on that page for a verbal description and sound.

      Click on the “Link to floorplan and Virtual Tour” on that page for a virtual tour of the museum,

      or click the link below for direct access to the Enamels Room where the bell is displayed.
      http://www.frick.org/visit/virtual_tour/enamels_room

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